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The Professor and the Madman – The Making of a Dictionary

The making of the Oxford English Dictionary.

Simon Winchester. Harper Collins. Published in 1998.

The prompt for writing a quick review of this book is that I just started a third title by the same author, Simon Winchester, The Crack at the Edge of the World, and couldn’t help but remember with fondness – yes, I used the word ‘fondness’ in regard to reading a book about how a dictionary was written – when I read The Professor and the Madman. Winchester is to my knowledge the developer and foremost practitioner of an immensely entertaining historical-narrative literary style whereby he lures us into turning page after page (rapidly) of a history book by telling a truth-is-stranger-than-fiction story that reads like pulp fiction, and yes, which is set within a larger historical context and moment.

Erik Larson followed the pattern in Devil in the White City , introducing us to the 1893 Chicago World’s Fair and how it changed the history of America through the lurid tale of a serial killer who was as big as Jack the Ripper before Jack found his first victim. In some parallel ways, Sebastian Junger employed this model, telling us about seemingly mundane things – the deep sea fishing industry, the physics of waves, the types of North Atlantic storms, and a little of the history of Gloucester, Massachusetts – through the sensational story of the crew of the Andrea Gail in his book The Perfect Storm, even better known for the George Clooney movie.

What is the historical setting and importance of the Professor and the Madman? The writing of the Oxford English Dictionary (OED), of course. Now, without making any claims of being an academic, I must admit that topic kind of, sort of interested me anyway. I like the history of words and their definitions. But enough to read a book? I’m not sure. Even if it’s less than 300 pages? Still not sure. It may never have reached the top of the stack. But even if you aren’t that interested in what made the OED the finest reference work of its day – and perhaps the greatest reference ever created – the story of Dr. Charles Minor, the man who contributed thousands of entries, all painstakingly researched and neatly written from his home in Crowthorne, England, just 50 miles from Oxford, just might hook you.

What tied Minor to the OED and made his role so remarkable? Was it that he was an American creating something so peculiarly British? Nope. There was no snobbery as a sub theme. That he was a veteran of the Civil War, where he was surgeon for the troops of the North? Interesting, but not interesting enough to bring a dictionary to life. Was it that he maintained a long distance relationship with Professor James Murray – strictly by correspondence – for decades, despite numerous invitations from Murray to attend fundraising dinners or just stop by the office to meet due to his prolific 10 thousand entries? Not even close. Was it that he thought Irishmen were … and that one night he went out and … and because of that he ended up living in … ? Yes. Yes. And yes.

Spoiler alert. If you don’t want to know what each “yes” represents, now is the time to stop! [Read more…]

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What Is the Agency Model in Ebook Pricing?

what is the agency pricing model?Q:  What Is the agency model in eBook pricing?

A:  The agency model is when a reseller allows the publisher to set the price charged to its (the reseller’s) customers. The common agency model terms for eBooks have been that the publisher keeps 70% of the proceeds and the reseller earns a 30% commission. This is different from the traditional pricing model in the book publishing industry, where prices have been controlled by the reseller. In the traditional model, publishers sell their books to resellers at a discount of approximately 50% (legal and illegal discount variance is a topic for another day!). Resellers offer the books to consumers at whatever price they choose.

The “agency model” for eBook pricing is back in the news with a deal reached between Simon & Schuster (S&S) and Amazon (confirmed October 21, 2014), which S&S CEO Carolyn Reidy acknowledges is a “version” of the agency pricing model. [Read more…]