Mark Gilroy

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Mark Gilroy March 3, 2014

How Healthy Is the Christian fiction Category?

Publishing professional and friend, Dan Balow, recently took a look at the Christian fiction category in his blog for the Steve Laube Agency. His analysis includes some counterintuitive insights for publishers and some very specific advice to retailers that I wanted to share here. (Since my novels are considered “tweeners” – somewhere between the Christian and general markets, I especially appreciated what he had to say.) Dan – thanks for permission to use the following!

Just how well is Christian fiction doing?

Last year, two Christian publishers downsized or suspended their fiction programs. Currently, some Christian publishers are nervous about fiction and in a wait-and-see mode before they attempt to expand it or try new things. Others are excited about growth potential in the category and are taking an aggressive stance toward it.

Similarly, some Christian retailers are doing quite well with fiction, others are lukewarm with it and some are not doing well at all.

The answer to the question, “Is Christian fiction thriving?” is no, but it is certainly interesting to explore the reason behind such widely diverse opinions on the subject of Christian fiction today.  How can one group see great potential and another see little or none?

Here is why I think Christian Fiction is causing some publisher and retailer confusion right now:

First and foremost, fiction is the segment of book publishing and retailing most affected by the sales of eBooks. In some cases, 50% or more of unit sales on a particular title can be digital.  Because eBooks are cheaper than printed editions, overall revenues to the publisher will decrease or remain flat, all the while readership increases. For a particular novel, digital sales might be 50% of the units and 20% of the revenue.

A new business model eventually emerges, but it takes time for publishers and retailers to adjust to new realities.

Retailers can easily recall how the decline in physical product sales were affected by music downloads (iTunes started in 2001), video download/streaming and audio book downloads. The migration to digital delivery in music, video and audio resulted in a corresponding drop in physical product sales at retail.  But knowing the cause doesn’t make it easier to handle.

The second major contributor to publisher and retail confusion about fiction is the relatively small number of titles published.  Even in good years, the total output of new Christian fictions titles by the main ECPA Christian publishers are not more than 250-300 annually.  (I am not counting the various Harlequin Love Inspired and Heartsong mass market lines which publish over 200 titles per year.)

According to R.R. Bowker data from a couple years ago, the entire U.S. publishing industry (not self-publishing) released over 250,000 new titles annually, of which about 40,000 are novels. There is no completely accurate data available on Christian publishers, but not long ago the total output of books from Christian publishers was around 10,000 new books annually. If Christian publishers followed the same ratios in fiction as the general market, there should be over 1,000 new novels each year, not 250-300.  Not every category growth problem is solved by doing more books, but in this case, I believe it has something to do with it.

Similarly at retail, when a category suffers a slowdown, reducing shelf-space for the category only hastens the decline.  The huge disparity between fiction in the general market retail and that in the Christian market would leave one to wonder whether some are giving up too early on it.

The final reason for confusion about fiction is there are a limited number of genres published by Christian publishers. For reasons that may or may not be obvious, Christian publishers cannot publish in as many genres as a general market publisher.  For instance, erotica will never be a category in Christian publishing, while it is a major category in the general market.

Combine these three things…eroding physical sales due to digital delivery, a small number of titles in relatively few categories  and maybe we can understand why it is rather confusing time in the Christian fiction category.

What can retailers do about it? (other than stocking current best-sellers and new titles)

  • Begin with the inventory. Carry the classic backlist.  Not just In His Steps or Pilgrim’s Progress but the authors who made the category successful over the last 30 years … Janette Oke, Frank Peretti, Jerry Jenkins/Tim LaHaye, Bodie and Brock Thoene, and Francine Rivers to name a few.
  •  Decide to add a new genre of fiction that heretofore you have not carried or promoted.  This is to grow your customer’s taste for a wider type of fiction.
  • Consider rearranging the fiction section by genre to help readers find new authors. Perhaps using a variation of the umbrella categories that the Christy Awards uses to separate the genres.
  • Encourage fiction reader groups among your customers. This will show how fiction can communicate spiritual truth in an effective manner.

Steve Laube, the founder and owner of the literary agency with whom I work, was a Christian retailer himself before getting into the publisher side of the equation over 20 years ago.  In 1989, his Berean Store in Phoenix, Arizona was named the CBA Store of the Year.  I asked him to give his perspective on how retailers can sell more fiction:

The key was that great story that got people telling their friends. Word-of-Mouth.  Second was a staff that was knowledgeable about the various fiction offerings. Hand-selling is still a critical piece of what makes the physical store a destination. Hand-selling is a form of word-of-mouth. For example, when Mrs. Sally came in the store each month and asked us, ‘What’s new?’ we could direct her to the latest and greatest because we knew the type of stories she liked and the type of stories that were on our shelves.  That principle has not changed over the years. I am always attracted to the part of any bookstore that has a ‘Staff Recommendations’ section. I find it fascinating to see what other people think is worthwhile to read.

Keep in mind, that if readers don’t find what they need in the Christian store, they will look elsewhere and personally, I’d rather they find a lot of great reads among titles from Christian publishers in Christian bookstores.

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Filed Under: Book Publishing Q&A, Books Tagged With: Christian fiction, Dan Balow, Steve Laube

Mark Gilroy January 31, 2014

The First Super Bowl: 6 Fun Trivia Facts

6 fun trivia facts from Super Bowl I
The Chief’s’ Willie Mitchell tackles the Packers’ Carroll Dale.

The first Super Bowls was held January 15, 1967, pitting the Green Bay Packers of the NFL and the Kansas City Chiefs of the AFL. The two competing leagues had just merged, so there was even more animosity tied to the game than usual. The Green Bay Packers from the more established NFL won, as expected, 35-10.

To football fanatics the basic facts stated above are common knowledge. But here are six fun trivia facts you might not know.

  1. The first Super Bowl actually wasn’t called the Super Bowl. It was first touted as the AFL-NFL World Championship Game.  The game was such a big hit by the second year that it was felt the game needed a catchier name. Commissioner Peter Rozelle suggested “The Big One.” The founder of the AFL, Lamar Hunt, who was the longtime owner of the Chiefs, was the man who suggested the name Super Bowl – based on a toy his daughter liked to play with, the Wham-O Super Ball. He said it could be a temporary name until they came up with something better. It was first used for Super Bowl III in 1969, the legendary game when Joe Namath predicted victory for his New York Jets.
  2. It was the only Super Bowl, (even though it wasn’t yet the Super Bowl), to not have a sellout crowd on hand in the stadium.
  3. It was the only Super Bowl to be broadcast on two domestic television networks. CBS had rights to the NFL and NBC had rights to the AFL. The game was a simulcast. Even the post game presentation of the trophy included two networks. Pat Summerall of CBS and George Ratterman of NBC shared duties.
  4. Both NBC and CBS recorded over the game film to save costs. The only two plays from the game that were shown for years were touchdowns by Max McGee and Jim Taylor of the Packers. In 2011 a CBS recording was found in an attic in Pennsylvania. Halftime and most of the third quarter were missing, but most of the game has now been rebroadcast.
  5. Two different brands of footballs were used throughout the game. The Chiefs used the official AFL Spalding football when on offense; the Packers switched to the official NFL Wilson football when they were on offense.
  6. Since NFL and AFL refs wore different uniforms during the season, a new uniform was designed that was only worn for Super Bowls I and II.

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Filed Under: Sports Tagged With: Lamar Hunt, Super Bowl, the first Super Bowl

Mark Gilroy January 23, 2014

My 5-Star Review for Cumberbatch and Sherlock

CBS has brought a contemporary Sherlock Holmes to America and added a whole new look (and gender) to Dr. Watson (played by Lucy Liu) in their hit show Elementary. I hear it is very good. I’m sure it is. But I have a problem with it even though I’ve never seen it.

It’s not the BBC’s rendition of Sherlock Holmes, starring Benedict Cumberbatch as the world’s greatest detective, and Martin Freeman as Dr. John Watson. (Freeman starred as Bilbo Baggins in the second installment of The Hobbit, The Desolation of Smaug, and I kept waiting for him to help Gandalf solve a crime.)

Having read all of Sir Arthur Conan Doyle’s Sherlock Holmes stories and novels as a kid, I love that the producers are steeped in the history and nuances of the Victorian Holmes. They have done a masterful job in bringing him to life in modern London while honoring Doyle’s original stories. It is obvious they are raving fans. And thank you to another fan, my daughter Lindsey, who introduced me to the BBC iteration.

Cumberbatch’s Sherlock is clever, quirky, humorous, dark, and intelligent in sufficient measure that fans (like my wife and I) put up with a second full-year hiatus as we waited for Season Three to arrive without abandoning ship. This is not normal TV viewing. The first two seasons had only three episodes each. It helps that each episode is ninety minutes long but I could still do with more.

Consider this my personal recommendation to watch Sherlock and watch Sherlock now. But don’t start with Season Three. It’s hard to find anyway. You have to hope you can find it on PBS’s Masterpiece Theater in those short interludes when they aren’t doing reruns of Downton Abbey. Or you can buy it by the season or episode on Amazon Prime or Vudu or another streaming service. Seasons One and Two are available for no cost on Netflix.

The other reason not to start watching with Season Three is how Season Two ended. So if you haven’t seen that, stop reading now, and consider this a spoiler alert.

Sherlock is so well done that we can (and do) forgive each long wait for new episodes … and for the pain and suffering the producers inflicted on us when Sherlock fell to his apparent death at the end of Season Two. His unforgettable return created a masterful interplay between Holmes and Watson as they painfully … awkwardly … hilariously reconnect. At the end of Season Three’s opening episode, “The Empty Hearse,” you realize “we” were Watson, and we too wondered why Sherlock let us think he was dead without a word for two long, painful years.

But the return was so satisfying that we, like Watson, have to forgive Sherlock. He’s just too fun to be around to stay mad at him forever.

In my humble opinion, Cumberbatch is the best Sherlock ever – and Sherlock is the best show on TV today. Well, at least for three episodes every other year.

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Filed Under: Movies & TV Tagged With: BBC, Benedict Cumberbatch, best show on TV, Sherlock, Sherlock Holmes

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Mark is a publisher, author, consultant, blogger, positive thinker, believer, encourager, and family guy. A resident of Brentwood, Tennessee, he has six kids, with one in college and five out in the "real world." Read More…

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