Mark Gilroy

Bringing Books to Life!

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Books

Mark has been a book man since he learned to read. Why did he get in trouble in elementary school? Because he was reading a book when he should have been doing his math. Mark shares insights on questions you might have. How are books written? How do books get edited? How do books get published and distributed? And what are some great books that have something unique and compelling to say?

Mark Gilroy April 2, 2013

Redundancy and Repetition: The Power of Doing the Same Thing Over and Over

Is it possible that redundancy is underrated?

Most of us value efficiency to a much greater degree. We want to drive redundancy out of our personal and corporate lives. Redundancy means wasted time and energy. Right?

But having spent more than 30 years in publishing, I’ve come to gain a begrudging respect for the sometimes necessary discipline called redundancy.

Just think about the book business. Everything is redundancy! (Is it any wonder I’m crazy after all these years?)

A writer writers a book. Then rewrites the same book. At least a couple more times. Then hands it to an editor who tells him or her how to rewrite it yet again to make it better. (The mean editors smile when they hand off their shopping list of improvements.)

When the writer is finished, the editor edits the same manuscript that has been worked over too many times to count. After that, a typesetter puts the very same manuscript into a professional and polished format, with a proof reader ready to make yet another round of marks.

What happens next? The editor and writer get to read the “blues” and then the “proofs” one more time – and invariably, find yet another error or way to improve the text. In the old days of publishing, when a writer wanted to rewrite at the “blues” stage, the contract outlined a series of fees since “cut and paste” really meant cut and paste back then.

After final corrections and changes are made, the book is printed, and a new person, the reader, pores over the same material – and sometimes finds yet another error.

Does anyone else circle printed errors they find in books?

But the end result of having numerous alert and adept people cover the same book is a work of power and beauty – or at least one that has its best chance of achieving that lofty status. (And yes, occasionally, too many cooks spoil the soup.)

The old cliche tells us that anything worth doing deserves our best effort. I couldn’t disagree more. There are a lot of activities in life that aren’t worth our best time and energy.

But some things are. Many things are.

And when we want to put our best foot forward, redundancy – another set of pushups, another read through and light edit, another prayer, another conversation – can be our best friend.

No surprise the carpenter’s motto is “measure twice, cut once.”

At the risk of being redundant, when something or someone matters to you, some extra attention and repetition – also known as redundancy – can go a long way to affirming that.

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Filed Under: Book Publishing Q&A, Life Observations, Motivation, Writing Tagged With: redundancy, redundancy makes things better

Mark Gilroy January 28, 2013

John Rebus: The Detective I Hate to Love – and Love to Hate

John Rebus is the literary detective I hate to love.

John Rebus: churlish, self-destructive … brilliant!

John Rebus returns in the 18th full novel featuring the difficult but successful Edinburgh detective.

I’ve been reading Ian Rankin’s John Rebus novels for close to a decade and have always had a love-hate relationship with this Edinburgh detective. I’m not alone. Rebus’s cynical, impulsive, abrasive, self-destructive ways can play like fingernails on a chalkboard, making it hard for all but a few of the other characters to tolerate, much less “like” John – (poor DS Siobhan Clarke, how does she put up with him?).

But despite Rebus’ expertly drawn flaws, the curmudgeon gets his hooks in you. And it becomes obvious, anyone who tries as hard as Rebus to prove he doesn’t care about anyone or anything has to be hiding something … like how much he cares.

When Rankin retired Rebus in Exit Music – the 17th Rebus novel – and introduced a new Edinburgh character (Malcolm Fox) in (and of) The Complaints (think Internal Affairs in U.S. police terms) – it felt like a huge loss. Rebus hadn’t run his course – and of course, Big Ger Cafferty, king of the Edinburgh underworld, was out of jail and needed someone to keep a careful – and obsessive – eye on him. There are lead characters that grow more and more weary with each passing novel – but Rebus was already worn out and washed up when we first met him. If the chain-smoking hadn’t killed him yet, why put him out to pasture?

Maybe Rankin planned for retirement to do to Rebus what Cafferty considered doing countless times but never did. (Grudging respect? A sense of kinship?) I also knew I’d miss the old school rock and roll or blues music suggestions. It’s always been a bonus to read through what’s on Rebus’ playlist in each novel, though he still favors his LPs with the comfortable hiss and pops between tracks over CDs or digital music (horrors!) for his late night melancholy as he looks out the window of his flat, a quickly disappearing bottle of Lagavulin at his side.

Standing In Another Man’s Grave was a fabulous vehicle to bring Rebus back where he belongs, in the middle of a bloody crime scene. Interestingly, I thought Rankin drew a bit much from a theme and process found in my least favorite Rebus novel, Fleshmarket Alley –  (Rebus took a strong and clear and moral political stance, which I thought was out of character – he normally couldn’t be bothered with what the bloody politicians were up to unless it was murder). But having him work as a civilian investigator on cold case files – including a missing person case that may have multiple and current connections – creates the conditions for a triumphant return – even if his boss wishes he would crawl back under a rock.

I would note that Rankin has done as good or better of a job keeping Rebus true to form as any series novelist. That’s why reviewing an individual book doesn’t seem as important to me as asking if Rebus is really back. Is he? He’s still loathed and feared by colleagues and criminals alike. He still won’t give you the time of day unless you have something he needs – then he has all the time in the world. He’s still the character I hate to love or love to hate most in my commercial crime reading. But even if he has one foot in the grave – or both in another man’s grave – he’s back, and that’s what matters.

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Filed Under: Book Reviews Tagged With: Ian Rankin, John Rebus

Mark Gilroy January 15, 2013

How Many People Are Reading on eReader Devices?

according the Pew Institute 23% of adults have used an ereader now.
Where do you read books?

January 15, 2013 – According to the Pew Internet and American Life Project, 23% of adult readers have now read an ebook.

In a blog last year I noted that percentage as 12%. Recognizing that there are no comprehensive studies – and the numbers seemingly change dramatically on a month-to-month basis – that is a growth rate of almost 100% in the past year. During the same period, ebook sales in trade publishing have risen from 17% to 25% of all books sold. Almost half of all adult fiction is now being bought for consumption on eReader devices.

I remember the prophecies of the paperless office back in the early 90s. I’m still waiting.

But to state the obvious, the digital revolution in publishing – starting with daily news and now moving to long form content –  appears to be a relentless and unstoppable transformation in how we consume what we read.

The eReader is here to stay.

Where do you read your books?

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Filed Under: Book Publishing Q&A

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Mark is a publisher, author, consultant, blogger, positive thinker, believer, encourager, and family guy. A resident of Brentwood, Tennessee, he has six kids, with one in college and five out in the "real world." Read More…

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